From a less immediate point of view the special way, a little too meticulous, too intense, that he had of pronouncing certain words, certain adjectives which were constantly recurring in his conversation, and which he never uttered without a certain emphasis, giving to each of their syllables a separate force and intoning the last syllable (as for instance the word visage, which he always used in preference to figure, and enriched with a number of superfluous v's and s's and g's, which seemed all to explode from his outstretched palm at such moments) corresponded exactly to the fine passages in which, in his prose, he brought those favourite words into the light, preceded by a sort of margin and composed in such a way in the metrical whole of the phrase that the reader was obliged, if he were not to make a false quantity, to give to each of them its full value.